By Tom Mole (auth.)
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Extra resources for Byron’s Romantic Celebrity: Industrial Culture and the Hermeneutic of Intimacy
A parliamentary committee investigating the situation in 1812 heard that wages were on average one-third lower than they had been in 1807 and before. 22 The workers' distress was exacerbated by at least three other factors, including the practice of payment in truck; the introduction of cheaply produced low-quality stockings known as 'cut-ups'; and the possibility of hiring juvenile and unskilled labourers owing to the lapsed apprenticeship laws, which flooded the labour market and further depressed wages in a practice known as 'colting'.
She 'arouses but then holds off sexuality', creating 'a huge sexual tension which is never fully released'. 100 Reading Byron's poems was supplemented by such activities Romantic Celebrity 25 as buying and looking at portraits of Byron, or illustrations in which the Byronic hero was represented as the poet, soliciting introductions to Byron, writing to him, dressing in Byronic fashion, reading newspapers, cartoons or reviews, and falling in love, either with the noble lord or violently, passionately and hopelessly, as his characters were wont to do.
Since that technology 28 'An Ode to the Framers of the Frame Bill' 29 made Romantic celebrity culture possible, it is an essential context for studying that culture. I site 'An Ode to the Framers of the Frame Bill' where my three frames - two trajectories of technological advance and one instance of oppressive legislation - intersect. On these frames I would weave an argument for understanding 'An Ode to the Framers of the Frame Bill' as one example of Byron's activist writing. That argument will be supported by my discovery of a previously unknown reprint of Byron's poem in a Nottingham newspaper.