Contemporary Women's Gothic Fiction: Carnival, Hauntings and by Gina Wisker

By Gina Wisker

This e-book revives and revitalises the literary Gothic within the palms of latest girls writers. It makes a scholarly, full of life and convincing case that the Gothic makes horror first rate, and establishes modern women’s Gothic fictions in and opposed to conventional Gothic. The booklet offers new, attractive views on validated modern ladies Gothic writers, with a specific specialise in Angela Carter, Margaret Atwood and Toni Morrison. It explores how the Gothic is malleable of their fingers and is used to demythologise oppressions in keeping with distinction in gender and ethnicity. The learn offers new Gothic paintings and new nuances, opinions of risky complacency and radical questionings of what's secure and conformist in works as assorted as Twilight (Stephenie Meyer) and A lady Walks domestic Alone (Ana Lily Amirpur), in addition to by means of Anne Rice and Poppy Brite. It additionally introduces and seriously explores postcolonial, vampire and neohistorical Gothic and women’s ghost tales.

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Extra info for Contemporary Women's Gothic Fiction: Carnival, Hauntings and Vampire Kisses

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Gothic in particular often includes elements of rebelling against or resistance to existing social norms.  183).  183) we can also query the established and complacent, undercut the dangerously comfortable and expose the fraudulently smug, through the Gothic. INTRODUCTION 27 Gothic writing by contemporary women sensitive to the effects of gender, whether feminist, postcolonial or lesbian, offers the opportunity to thoroughly reimagine place, identity and being, rather than just rebuilding ‘massa’s house’.

Mieville, C. (2009) The City & the City (London: Macmillan). Milbank, A. (1992) Daughters of the House: Modes of the Gothic in Victorian Fiction (Basingstoke: Macmillan). Miles, R. (1994) ‘Introduction, Women’s Writing: The Elizabethan to Victorian Period’, in Special Number: Female Gothic Writing, Vol. 1, No. 2. Morrison, T.  Knopf). Mosse, K. (2005) Labyrinth (London: Orion). Mosse, K. (2010) The Winter Ghosts (London: Orion). Mulvey-Roberts, M. ) (1998) The Handbook to Gothic Literature (Basingstoke: Macmillan).

In traditional Gothic, young women are pursued by rapacious men of power (see Mysteries of Udolpho, Radcliffe 1794; Castle of Otranto, Walpole 1764; and The Monk, Lewis, 1796). They are rescued by rightful lovers and swept into the oblivion of eternal love, while these rescuers and society try to constrict and pin them down with an outdated ritualised male gaze. It is a process of collection, shrinkage and ownership. 40 G. WISKER The women collude with this rescue into family, male power and marriage.

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